Change

May 7th, 2010 | Posted in Newsletter | 11 Comments »
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Forty years ago this letter would have served to remind you that you had forgotten to put ten rand in an envelope with a birthday card for me. However, ten rand does not buy what it used to and that was before the Post Office started confiscating any money sent in the post. Besides, now that I am a grown up, it seems, regrettably, that I am restricted to socks and underpants as acceptable presents.

If it were not for its continued monopoly and a few rand still in my Post Office Bank account I imagine the Post Office would cease to exist. I write emails and I imagine almost everyone else does even if they, like the snail mail, are not always delivered. Some things never change. Julius Malema reminds me of P.W. Botha waving his finger and telling the press how to behave. The tyre burning and police shooting at those who riot are indistinguishable from the images that I saw in the press in the Apartheid era. Perhaps, the more things change the more they remain the same.

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Shoot the Messenger made in wild plum wood could have been an Apartheid era subject. In 1980’s, when I went to Rhodes and P.W. Botha was in power, I preferred not to read newspapers. However, my journalist friends made me aware of their frustrations and the press’s prescriptions and limitations. They were disabled and could not give the full story. This work is pertinent to threats to a free press and does have something of the horror and angst of that apartheid era. Specifically, the photographs of “terrorists” shot in the head that I was shown at that time. Those images are now part of the arsenal of this artist who conveys the concerns of this new era, or as some like to call it “the new regime”.

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Ghost is part of my new regime which is much the same as the old one. Except mine has taken to heart all the lessons learnt from all I have done since the eighties. It has been made with more knowledge, more skill, and more determination than before. I think that this work achieves many things I strive to attain. It is a composition that is both organic and structured, a sort of ordered chaos. It has an exciting texture, surface, line and form. I don’t know the name of this wood but I have previously worked with it and know it as “good wood” with an unusual colour and fantastic grain. The shape of this work and its striations reminds me of Roy Lichtenstein’s “brushstroke” works, some of which he made in the bad old eighties.

There are a few things from bad old days I would like to re-instate like the ten rand that my granny used to send on my birthdays. I think it should be enough to buy me one of those big black Wilson’s toffees which would be better than socks or underpants. There are a lot of things that make me happy in our brave new world. I love email as you do not have to wait two weeks for a reply. The web is great for research and if you are looking for a different opinion you can read a newspaper from almost anywhere in the world. The spelling and grammar checks on my computer are great for writing as I can neither spell nor read my own hand writing.

As if to illustrate the benefits of our new world I have recently sold a work that is going to a gallery in China and had an email from a gallery in London interested in my work. In the bad old days sending work to China would have been consorting with the communist enemy and, being poor, I would have had to give it to them. In those days Maggie Thatcher’s London was capitalist and it was a time of economic ascendance for the British. Now, the Chinese are our financially well off, almost capitalist, friends, whilst our poor, almost communist, friends in London have been hard hit by the recession and are concerned about the prices of my work.

It is not that I am a supporter of either Maggie or Mao but at least in those days I still had friends and my birthday was remembered. This year I only received one birthday card which was from my Mum. I had to remind my wife and children of the important event and by then it was too late for the usual socks and underpants and even if you sent it, there was no ten rand in the post.

Regards
Carl

  • John Smith says:

    Aw Shucks Carl, If I only had ten rand I would pop it in the post to you, that is, if it would make it further than the post office…Would a 50c help make you feel better?
    Good article -thanks!

  • Carl says:

    Any money always gratefully recieved, so I will take it, and will feel a whole lot better. sniff sniff! Thanks for the compliments also gratefully recieved.

  • Debra Fenner says:

    Happy birthday?

  • Hi there, from your old pupil, now getting older..it seems….still carving and loving the time I get to explore my art…sales have been very slow since November 2009, sold 6 works in that month , and only one again this month!!!! so not good as I would have died if was living off my art alone…however , fortunetly I have a teaching job which pays the school fees and morgage et al…but so wish I could be self sustaining with my art…perhaps one day..in the mean time its two jobs till then…
    I see Gerhard got hitched recently..never thought he would get married…any news on Prof Nel, how is he keeping??
    Anyway, take care, and great site…need to update mine soon…time again…funny when I collect wood for sculpture I have to really hunt around the seashore ..not too much wood washes up here…and then I have to collect it without being arrested!!! rules rules…..
    take care
    Pierre

  • John Smith says:

    Hey Carl, when you become a REAL artist please let me know how you did it, I also want to be one.
    Do I need to cut my ear off..or starve in a garret? I don’t even have a garret..darn!

  • Ian van Zyl says:

    Do not fret Carl – both van Gogh and Picasso were crap – the only difference between their success or failure was the efficiency of their PR agent and influential politicians / friends.
    real artists create work for themselves, not for galleries / inferior desecrators / agents. As for your stolen piece, that person actually stole from himself, he stole his own soul

  • Carl says:

    If you dont have a garret you will have to cut off your ear.

    Carl

  • Lulu says:

    Heya Carlk

    Thanks for the read- It was a very informative newsletter. Happy to hear about London… yeah…. sounds Awesome
    Blue Buck Jack – hairdo draws my attention the blue tinge..!! and line work is very effective
    Nice lips.

    Looking forward to my next pop in.

    Lulu

  • Ian van Zyl says:

    “Commission” as well as “Consignment” are words that should be banished when used in conjunction with any artistic endeavour and, like inferior desecrators, be avoided like the plague! Like the world cup slogan, “feel it, it’s here!” I say “felt it, it’s gone!”

  • John Smith says:

    I agree with your sentiments Carl, and very much with Ian’s…but then everyone knows that artists are not real people. We have no feelings, live on air, do not have families and do not pay taxes, nor do we not have any of the needs and desires of other mortals.
    I always find it so strange that its almost always the artist asked to give talks or lectures or demonstrations for free or almost free, to donate paintings to charity and to give discounts. It is almost always the artist who gets the short end of the stick when deals or commissions go wrong! This when artists generally battle to survive. My sentiments then are ‘It you can’t get rich on it you may as well enjoy it?;

  • sue says:

    we are all the poorer for not having those amazing pieces by Andries gracing our province…shame on those politicians for being so very narrow-minded. I am not surprised that you won’t touch commissions Carl. it would be awesome to see your work in public places!!


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